Desecrated

Ring runt och fråga alla du känner, någon måste ju ha en radio. Sen mickar du bara upp den.

Ghettobass Plugin, tror den är freeware.

I dom flesta högre prisklasserna har du antingen så att du kan ställa in den efter ditt behov heller stänga av den helt.

Det finns en hel del böcker om ämnet, det är relativt enkelt att skriva en låt faktiskt.

Du kan ju säkert få till karaktären av en mick, men om min billiga mick inte har lika brett register som en dyrare mick så kan det ju bli svårt att trolla fram det registrerna i mixen. Men helt klart intressant, hoppas bara den här har stöd för stereo och inte som deras föra som bara hade mono.

winrar och sprend för mig.

Min trummis har haft en gibraltar dubbelstamp i många år men nu har dom rasat ihop bortom all lagning. SÅ han funderar på att köpa en ny dubbelstamp, hans första val är ju såklart en iron cobra. Men jag tänkte fråga först om det inte finns någon pedal som är bättre än dom. Tyvärr så har han inte mer än 4000 så axis och tricks går bort 🙁

http://www.blocket.se/lulea/Studio_rensning_30177689.htm?ca=1_11&w=3

DU kan få tag i gamla yamaha för 500 kr, och roland jv serien för ungefär 1000 kr på blocket.

Fast piratkopiering är ju inte samma sak som att sno nånting som faktiskt existerar.

Jag kommer aldrig att förstå varför nån betalar en så hög summa för en så simpel gitarr.

m-audio projectmix är ju alltid trevlig.

http://www.youtube.com/watch?v=iIMWWP7HC64

Finns en hel genre med sånt. Horrorcore. Jag har använt en subkontraclarinet bland annat.

Ska vi ner i dom frekvenserna så finns det en hel värld av underbara sublontrabas instrument. Här får du en samlingsida med länkar: http://www.contrabass.com/pages/frequency.html Min favorit är nog octobassen: http://www.youtube.com/watch?v=2WVT321LSUc

Ingen anning. Mycket av dom sammarbetena har mest troligen bara varit via distrubution. Det är ganska vanligt i independent branschen. 4% är den lägre standarden i branschen och har varit det i många år. Jag försöker hitta nån länk till nån vettig information, men kan tyvär bara hänvisa till dom musiker och skivbolag som jag varit i kontakt med. Men jag hittade lite mer information om skivbolag i överlag: According to an entertainment attorney on CNN less than 5% of the artist that release albums/cd ever cover their initial production costs. Additionally, of the artist that make a "living" it's all comes from touring and merchandising. My favorite part of the interview was when he said, "I only know of a very, very small handful of artist that could survive just on record sales no matter how many they sell." A fun fact, and put things in perspective; Aerosmith have made more money with the Guitar Hero Royalties, than all of their touring, Royalties, Albums, Merchandise, Etc. Combined throughout their entire career…..They are fucking huge and make good cash but really just thought that was an interesting fact…. Och nu lite muntrare siffror: If you are a HUGE star (Tim McGraw level) you probably get 15% of the profit from the sale of albums...I'd the majority of artist is around 8% or less. It actually very complicated because you don't earn anything until you recoup expenses (90% of albums don't) so the majority of the money an artist makes is through publishing and live performances. 15% would be about right for a lot of deals these days with larger labels (in the UK at least). Some smaller labels will strike far better deals with bands (my old label did a 50/50 split with us!). For music sales alone (and music sales are only part of the income story) any artist is paid on his contract according to PPD. Dealer price to you and I. If the shop price is $14 the dealer price (ie the money the label gets from the sale) is gonna be about $6.50. Tax, shop markup, distribution cost (generally a third party company) make up the excess (the retail point is gonna AT LEAST put 20% on it). Average artist deal is about 12% on PPD - that's what the point thing is all about - it's wrong of people to go pointing the money grabbing gun at labels - sure, they may be sharks but they're just one shark in a sea of 'em, and some artists and their management are members of that genus. The writer (and today that is generally the artist ) will get publishing amounting to 8.5% on PPD. So on the deal above the artist (recording and pub royalty) will get about $1.30 per CD. You get more in the UK but that's because the dealer price is higher. There are other deductions but only a numpty will still be paying shellac and breakages (i'm on my fourth deal now and i've negotiated that away on every deal. Even with Sony/BMG). Of course you must recoup first on the 12% to the label, and probably on the 8.5 to the publisher but once you have, the moneys yours regardless of profit. If the label spends a million on marketing (and you werent stupid enough to incorporate marketing as your advance were ya?!!!! ) then you can be earing even though the label may not be in profit. EMI have never made a profit from me (they gave me a good advance which recouped BUT they put a lot into marketing - silly willies) but i have made a profit from the moderately selling records i made in the late 90's. Och som en liten avslutning: I play in a full time touring metal band, signed to Metal Blade, with albums in stores. Our shows do quite well in terms of capacity, and we sell quite a bit of merchandise at each show. While all of this sounds great, we still make next to nothing. We all live with our parents or grandparents, and we sleep on floors anywhere we can while we're on tour. When you're out there promoters for some reason like to take a shit on you. We have a set guarantee for each show, it is usually between $250-$300 depending on the area we're in. Sadly a lot of these promoters are money hungry bastards who will just as soon keep all of the money and bail on you or try to tell you that the show did well but not "well enough". The thing that really sucks is most bands in our shoes have to end up getting our money one way or the other... there have been more than a few occasions where we've had to physically drag a promoter to an ATM machine. It sounds brutal and it sounds wrong, but in all essence, they are robbing us. Touring is a lot of hard work, the only "break" really is when we get to play for a half an hour. We have to drive for hours on end in a van that may break down at any second (which by the was is uninsured because we can't afford the payments after paying off all of the other shit we have to pay for!), we have to haul our gear in and out of places every day, set up our merch table, all of that stuff that is physically and mentally taxing. As for food, IF we got paid that night, each guy gets 5 bucks that day to spend on food, that is all of the money we make. Besides that it comes down to pretty much being a peasant and pocketing pre made sandwiches from whatever gas station you've stopped at. Yeah it's stealing and it's wrong, but one way or the other, you have to eat. When the tour is all said and done with, any money you've made gets shipped off to pay the label, the management, the merch companies, the booking agents, and any other debts you surely have. To put this in perspective, our last tour was a month long, and my cell phone bill is $50 a month, I am struggling right now to pay that. But do I want to do anything else? Hell no. I love being in a different state every night, I love playing in a band, I love seeing kids faces when we play a song they might know. I don't want to do anything else, because even though I'd have money, it wouldn't make me happy. The war that us 5 guys fight together is great, maybe someday we will win, but if not we'll all go down fighting. So next time you go to see a band that's touring in a van, just remember, they live in that van, they probably get to shower about once a week, and they're doing it all for the love of playing in front of you. Buy a t-shirt from them, or try to help them find a place to stay. hell if you can't do any of that, throw some change in their tip jar, believe me it goes a long way...

Hungerisk Duda heter dom där. Även fast den där är lite extrem.

Finns ju en hel klassisk genre med sånt. Kallas minimalism. Checka in finnen arvo pärt.

Å vad jag hatar att behöva använda den här gruppen, men Insane clown posse har sålt. 6.5 miljoner album och dragit in ungefär 60 miljoner dollar på merchendise, spelningar, festivaler och så vidare. Dom startade eget skivbolag i början på 90-talet och har kört independent sen dess. Ace of base säljer säkert mer i nummer, men eftersom artisterna bara får 4% av intäkterna så tar jag nog hellre 6.5 miljoner independent album än 30 miljoner skivbolags album.

Det där är nog mera världens jobbigaste instrument att lyssna på 😄

Orgel: http://www.youtube.com/watch?v=x7SrrJYXbWY Den mänskliga rösten: http://www.youtube.com/watch?v=3OkFLdPaoZQ

Ondes martenot: http://www.youtube.com/watch?v=1LobZ8vg9qE Glass Armonica:

In the shadows of motown. Crossroads what's love got to do with it This Is Spinal Tap Sill crazy Let's Get Lost The doors Rock On Imagine: john lennon Ray Metallica: some kind of monster Shut Up & Sing Throw Down Your Heart Genius Within: The Inner Life of Glenn Gould The man with a golden arm Electric Apricot Golden Days Velvet Goldmine Walk Hard: The Dewey Cox Story The runaways Dreamgirls

Det är väldigt sällan det går att ta bort någonting i mixen och få det att bli snyggt. Jag skulle istället satsa på att ändra din teknik så att du slipper problemet när du sjunger.

len 25.5" == 25.5" D .010" PL == 12.87# ( 0.0040gm/cm 293.7hz ) A, .014" PL == 14.16# ( 0.0078gm/cm 220.0hz ) F, .019" PL == 16.43# ( 0.0143gm/cm 174.6hz ) C, .028" NW == 16.91# ( 0.0262gm/cm 130.8hz ) G,, .038" NW == 17.13# ( 0.0473gm/cm 98.0hz ) D,, .050" NW == 16.24# ( 0.0798gm/cm 73.4hz ) total == 93.73#